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TITLES
ATTENTION: Author's index presents not all contributions.
See for moreover the ►German Authors Index
or use our ►Search & Find Link
About Boris Lurie by Gertrude Stein, New Yor, 1963
— Clayton Patterson by Boris Lurie, New York, 1998
— Dietmar Kirves by Boris Lurie, New York, 1998
Although I unfortunately have not read... by Volkhard Knigge, Weimar, 2001
An American Rebellion by Mario de Micheli, Milan, 1962
Andy Warhol's Poor Brother by Rudij Bergmann, Weimar 1998
ANTI-Art and OUTLAW-Art by Gregory Battcock, New York, 1969
Anti-Fascist Anti-Pop by Harald Fricke, Berlin 1995
Art and the Alternative Media by Paul Simon, New York, 1971
Artist are Crap by Elmer L. Kline, New York, 1972
A Shot in the Arm by Jack Micheline, New York, 1970
ATTENTION! by Clayton Patterson et al., New York, 1997
Boris Lurie and NO!art by John Strausbaugh, New York 2021
— — and NO!art by Max Liljefors, Lund (Sweden), 2003
— — and the Holocaust by Jan Herman, New York, 2005
— — epistolary poem by Matthias Reichelt, Berlin 1998
— — Knives in Cement, Introduction by Estera Milman, Iowa 1999
— — not mince matters Interview by Megaklés Rogákos et al., New York, 2000
— — uneasy visions, uncomfortable truths by David H. Katz, New York, 2005
— — NO!art by Sarah Schmerler, New York, 1997
— — Works 1946 - 1998 by Matthias Reichelt, Berlin 1999
Boris Team-Clarity by Clayton Patterson, New York, 2007
Bull by the Horns by Harold Rosenberg, New York, 1974
Congress of Resistance, New York, 1997
Contribution to "RECYCLING" Exhibition by Boris Lurie, New York, 1975
Curse Works 1972-1973 by Boris Lurie, New York, 1975
Dietmar Kirves and NO!art by Carl Mai, New York 1998
Doom Show Statement by Stanley Fisher, New York, 1961
— — — by Sam Goodman, New York, 1961
Epitaph for a Canadian Kike ... by Seymour Krim, New York, 1971
Estera Milman died by Mica Pollock, Boston, 2021
Ethics and Aesthetics: Boris Lurie's Railroad Collage by B. Howell, London, 2005
"Everyman" Boris Lurie by Martin Levitt, Essex Junction/VT 1999
Expressive NO!-ON show by Dieter Brookmann, Berlin 2003
Eyes by Jack Micheline, New York, 1971
Feel-paintings by Boris Lurie, New York, 1988
Gertrude Stein on NO!artists by Reichelt, M./Holzboog, E./Theuerkauf, K., 1995
Goodman n'est plus (in French language) by Marcel Janco, New York, 1973
Goodman & Lurie and CO by Erje Ayden, New York, 1972
Guest Book Entry at NO!show by De Hirsh Margules, New York, 1963
Hommage to J. Micheline by L. Asher, A. D. Winans, M. M. Boleyn, R. Freed, 2000
How We Opened the Guggenheim 1959 by by Sally Cook, New York 2009
I Accuse by Jean Toche, New York 19868
Images of the Holocaust (Swedish) by Max Liljefors, Lund, 2002
Interview with Boris Lurie by Dietmar Kirves, Berlin 1995
— by Alan Murdock, Iowa City, 1999
— by Max Liljefors, New York, 2003
Introduction Lurie/Goodman show by Sam Goodman, Milan, 1962
Introduction Luie/Goodman show by Boris Lurie, Milan, 1962
Introduction Italian Shows by Thomas B. Hess, New York, 1962
Introduction NO!art Anthology by Brian O'Doherty, New York, 1971
Introduction NO-sculptures Show by Thomas B. Hess, New York, 1964
— by Boris Lurie, New York 1964
Invitation to RECYCLING Exhibition by Dov Or-Ner, Jerusalem, 1975
Involvement Show Statement by Stanley Fisher, New York, 1961
— by Augustus Goertz, New York, 1961
— by Sam Goodman, New York, 1961
— by Boris Lurie, New York, 1961
Is the UI trying to censor this woman? by Brendan Wolfe, Iowa City, 2000
Les Lions Show Introduction by Boris Lurie, 1960
Letter to Mr. Hess by Boris Lurie, New York, 1962
Letter to Boris Lurie by Iris Clert, Paris, 1970
— by Louis Aragon, Paris, 1970
Lost art by John Strausbaugh, New York, 1994
Merde, alors! by Dore Ashton, New York, 1969
MOMA as Manipulator by Boris Lurie, 1970
My Story on NO!art by Konstantin K. Kuzminsky, Hancock/NY, 2005 [in Russian]
NO Blood ... Please ... by Wolf Vostell, Berlin, 1977
— is an Involvement by Michelle Stuart, New York, 1961
— to art by Matthias Reichelt, Berlin, 1995
NO! NO! NO! Don’t destroy NO!art Web site by Clayton Patterson, New York, 2011
NO!art by Emanual K. & Rita Shaknove-Schwartz, New York, 1973
— and the Aesthetics of Doom by Estera Milman, 2001
— and the Aesthetics of Doom review by Fred Camper, 2002
— and the Dialectic of Doom by Rainer Rumold, 2002
— in Concentration Camp by Klaus Fabricius, Stuttgart 1998
— Show No 3 by Janos Gat, New York, 1998
— Retrospect by Jean-Jacques Lebel, Paris, 1995
NO!artists overview by Boris Lurie, New York, 1972
— Rebel by Gerard Gassiot-Talabot, New York, 1973
NO!show at Gertrude Stein Gallery by Seymour Krim, New York 1963
Notes on Lurie's Poems by Armin Hundertmark, Cologne 1999
Notes by Sam Goodman, New York, 1967
— on Art, Life and Politics by Boris Lurie, 1995
— on the Aesthetics of Doom by Estera Milman, 1995
On Boris Lurie by Gertrude Stein, New York 2018
— by Clayton Patterson, New York 2021
On NO!art by Franziska Becher and Dietmar Kirves, Berlin 2010
On the first NO!art anthology by Friedemann Malsch, Cologne 1989
optimistic-disease-facility by Naomi T. Salmon, Weimar 2003
Outline for a Projected Text by Arturo Schwarz, Milan, 1970
Outline for Article by Barry N. Schwartz, New York, 1970
Paintings of the Early Sixties by Allan D'Arcangelo, New York, 1978
Partnershit by Isser Aronovici, New York, 1969
Pin-Up-Girls in the Depot by Rudij Bergman, Maalpartida 2014
Poems by Jack Micheline, New York, 1960, and Amsterdam, 1982
Poems for the NO!art site by Aleksey Dayen, New York 2005/2006
Pop, Junk Culture, Assemblage, ..., by Estera Milman, New London, CT, 2004
Recycling Exhibition at Israel Museum by Boris Lurie, 1975
Remembering the vision of Estera Milman by Elizabeth Riordan, Iowa, 2021
Response to C. Patterson and David H. Katz by Estera Milman, New London, 2005
— to David H. Katz by Estera Milman, New London, CT, 2005
— to Estera Milman by Clayton Patterson, New York, 2005
Saving Boris . . . from his enemy Martin Levitt, Burlington 2006
Saying YES to NO! by Douglas Century, New York 2010
Sculpt & Local by Tom Wolfe, New York, 1964
Shit NO! by Boris Lurie, 1970
Spasm by Stanley Fisher, New York, 1959
Stanley Fisher (1926-1980) by Boris Lurie, New York, 1980
Statement for "ART and POLITICS" by Boris Lurie, Karlsruhe, 1970
— for NO!posters by Boris Lurie, New York, 1964
Surviving Nazi - Postscript to "PARTNERSHIT" by Isser Aronovici, 1970
The Artist as Provocateur by David H. Katz, New York, 2005
The Beat Goes ON by Suzanne Long (Harriet Wood), Woodbury/VT, 1995
The Beautiful Ugliness ... by Al Brunelle, New York, 1970
The MARCH by Fielding Dawson, New York, 1970
The NO!art Movement in New York by Simon Taylor, New York, 1995
The Reception of the Art of Boris Lurie by M. Reichelt/ C. Germundson, Berlin 2002
Towards a new Humanism by Jean Toche, Staten Island/NY, 1970
To Wolf Vostell by Boris Lurie, New York, 1998
Vulgar Show Statement by Stanley Fisher, New York, 1960
With the rage of despair by Rudij Bergmann, Frankfurt 1999
Wolf Vostell's Son - Came to Stay by Brigitte Kramer, Mallorca 2013
YES and NO Thoughts by Lil Picard, New York, 1970
YES! ... but is it ART? by Clayton Patterson, New York, 1995
