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TITLES

ATTENTION: Author's index presents not all contributions. Please see for moreover
the GERMAN AUTHORS INDEX or use our SEARCH & FIND LINK

About Dietmar Kirves by Boris Lurie, New York, 1998
Boris Lurie by Gertrude Stein, New York, 1963
Clayton Patterson by Boris Lurie, New York, 1998
A Shot in the Arm by Jack Micheline, New York, 1970
An American Rebellion by Mario de Micheli, Milan, 1962
ANTI-Art and OUTLAW-Art by Gregory Battcock, New York, 1969
Art and the Alternative Media by Paul Simon, New York, 1971
Artist are Crap by Elmer L. Kline, New York, 1972
ATTENTION! by Clayton Patterson et al., New York, 1997

Boris Lurie and NO!art by Max Liljefors, Lund (Sweden), 2003
— — and the Holocaust by Jan Herman, New York, 2005
— — Knives in Cement, Introduction by Estera Milman, Iowa 1999
— — not mince matters Interview by Megaklés Rogákos et al., New York, 2000
— — uneasy visions, uncomfortable truths by David H. Katz, New York, 2005
— — NO!art by Sarah Schmerler, New York, 1997
Bull by the Horns by Harold Rosenberg, New York, 1974

Congress of Resistance, New York, 1997
Contribution to "RECYCLING" Exhibition by Boris Lurie, New York, 1975
Curse Works 1972-1973 by Boris Lurie, New York, 1975

Dietmar Kirves and NO!art by Carl Mai, New York 1998
Doom Show Statement by Stanley Fisher, New York, 1961
— — — by Sam Goodman, New York, 1961

Epitaph for a Canadian Kike ... by Seymour Krim, New York, 1971
Ethics and Aesthetics: Boris Lurie's Railroad Collage by B. Howell, London, 2005
"Everyman" Boris Lurie by Martin Levitt, Essex Junction/VT 1999
Eyes by Jack Micheline, New York, 1971

Feel-paintings by Boris Lurie, New York, 1988

Goodman n'est plus (in French language) by Marcel Janco, New York, 1973
Goodman & Lurie and CO by Erje Ayden, New York, 1972
Guest Book Entry at NO!show by De Hirsh Margules, New York, 1963

Hommage to Jack Micheline by L. Asher, A. D. Winans, M. M. Boleyn, R. Freed, 2000

I Accuse by Jean Toche, New York 19868
Images of the Holocaust (Swedish) by Max Liljefors, Lund, 2002
Interview with Boris Lurie by Dietmar Kirves, Berlin 1995
— by Alan Murdock, Iowa City, 1999
— by Max Liljefors, New York, 2003
Introduction Lurie/Goodman show by Sam Goodman, Milan, 1962
Introduction Luie/Goodman show by Boris Lurie, Milan, 1962
Introduction Italian Shows by Thomas B. Hess, New York, 1962
Introduction NO!art Anthology by Brian O'Doherty, New York, 1971
Introduction NO-sculptures Show by Thomas B. Hess, New York, 1964
— by Boris Lurie, New York 1964
Invitation to RECYCLING Exhibition by Dov Or-Ner, Jerusalem, 1975
Involvement Show Statement by Stanley Fisher, New York, 1961
— by Augustus Goertz, New York, 1961
— by Sam Goodman, New York, 1961
— by Boris Lurie, New York, 1961
Is the UI trying to censor this woman? by Brendan Wolfe, Iowa City, 2000

Les Lions Show Introduction by Boris Lurie, 1960
Letter to Mr. Hess by Boris Lurie, New York, 1962
Letter to Boris Lurie by Iris Clert, Paris, 1970
— by Louis Aragon, Paris, 1970
Lost art by John Strausbaugh, New York, 1994
Lullaby for Boris Lurie by Aleksey Dayen, New York, 2005

Merde, alors! by Dore Ashton, New York, 1969
MOMA as Manipulator by Boris Lurie, 1970
My Story on NO!art by Konstantin K. Kuzminsky, Hancock/NY, 2005 [in Russian]

NO Blood ... Please ... by Wolf Vostell, Berlin, 1977
NO is an Involvement by Michelle Stuart, New York, 1961
NO!art by Emanual K. & Rita Shaknove-Schwartz, New York, 1973
and the Aesthetics of Doom by Estera Milman, 2001 Download 186k 186k
and the Aesthetics of Doom review by Fred Camper, 2002
and the Dialectic of Doom by Rainer Rumold, 2002 Download 129k 130k
Show No 3 by Janos Gat, New York, 1998
in Retrospect by Jean-Jacques Lebel, Paris, 1995
NO!show at Gertrude Stein Gallery by Seymour Krim, New York 1963
NO!artists Rebel by Gerard Gassiot-Talabot, New York, 1973
Notes on the Aesthetics of Doom by Estera Milman, 1995
Notes by Sam Goodman, New York, 1967

optimistic-disease-facility by Naomi T. Salmon, Weimar 2003
Outline for a Projected Text by Arturo Schwarz, Milan, 1970
Outline for Article by Barry N. Schwartz, New York, 1970

Paintings of the Early Sixties by Allan D'Arcangelo, New York, 1978
Partnershit by Isser Aronovici, New York, 1969
Poems by Jack Micheline, New York, 1960, and Amsterdam, 1982
Poems for the NO!art site by Aleksey Dayen, New York 2005/2006
Pop, Junk Culture, Assemblage, ..., by Estera Milman, New London, CT, 2004

Recycling Exhibition at Israel Museum by Boris Lurie, 1975
Response to C. Patterson and David H. Katz by Estera Milman, New London, CT, 2005
— to David H. Katz by Estera Milman, New London, CT, 2005
— to Estera Milman by Clayton Patterson, New York, 2005

Sculpt & Local by Tom Wolfe, New York, 1964
Shit NO! by Boris Lurie, 1970
Spasm by Stanley Fisher, New York, 1959
Stanley Fisher (1926-1980) by Boris Lurie, New York, 1980
Statement for "ART and POLITICS" by Boris Lurie, Karlsruhe, 1970
for NO!posters by Boris Lurie, New York, 1964
Surviving Nazi - Postscript to "PARTNERSHIT" by Isser Aronovici, 1970

The Artist as Provocateur by David H. Katz, New York, 2005
The Beat Goes ON by Suzanne Long (Harriet Wood), Woodbury/VT, 1995
The Beautiful Ugliness ... by Al Brunelle, New York, 1970
The MARCH by Fielding Dawson, New York, 1970
The NO!art Movement in New York by Simon Taylor, New York, 1995 Download 201k 201k
The Reception of the Art of Boris Lurie by M. Reichelt/ C. Germundson, Berlin 2002
Towards a new Humanism by Jean Toche, Staten Island/NY, 1970
To Wolf Vostell by Boris Lurie, New York, 1998

Vulgar Show Statement by Stanley Fisher, New York, 1960

YES and NO Thoughts by Lil Picard, New York, 1970
YES! ... but is it ART? by Clayton Patterson, New York, 1995

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